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温建國

Jonathan Ive 給「科藝創建師」(STEMaker)教育的啟示(二):
on good design-- ”That's what you really do and you really believe!“

論文撮要


「好設計」的十個原則

「科藝創建師」的「匠心」

設計顯增值、「匠心」創未來

註 1

Looks familiar? Apple classics and their 1960s ancestors

https://www.theguardian.com/artanddesign/artblog/2008/jan/16/applebrauniverams

註 2

Dieter Rams:如果我可以重新再來,或許我不會選擇成為一名設計師

https://www.shoppingdesign.com.tw/post/view/879?utm_source=facebook_sd

註 3

Design education is “tragic" says Jonathan Ive


https://www.dezeen.com/2014/11/13/design-education-tragic-says-jonathan-ive-apple/


註 4

蘋果傳奇設計師 Jonathan Ive:設計教育是一場悲劇


https://www.inside.com.tw/2015/02/12/design-education-is-tragic-says-jonathan-ive


附錄:

Dieter Rams' Ten Principles of "Good Design" Good Design:

1. is innovative – The possibilities for progression are not, by any means, exhausted. Technological development is always offering new opportunities for original designs. But imaginative design always develops in tandem with improving technology, and can never be an end in itself.

2. makes a product useful – A product is bought to be used. It has to satisfy not only functional, but also psychological and aesthetic criteria. Good design emphasizes the usefulness of a product whilst disregarding anything that could detract from it.

3. is aesthetic – The aesthetic quality of a product is integral to its usefulness because products are used every day and have an effect on people and their well-being. Only well-executed objects can be beautiful.

4. makes a product understandable – It clarifies the product’s structure. Better still, it can make the product clearly express its function by making use of the user's intuition. At best, it is self-explanatory.

5. is unobtrusive – Products fulfilling a purpose are like tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained, to leave room for the user's self-expression.

6. is honest – It does not make a product appear more innovative, powerful or valuable than it really is. It does not attempt to manipulate the consumer with promises that cannot be kept.

7. is long-lasting – It avoids being fashionable and therefore never appears antiquated. Unlike fashionable design, it lasts many years – even in today's throwaway society.

8. is thorough down to the last detail – Nothing must be arbitrary or left to chance. Care and accuracy in the design process show respect towards the consumer.

9. is environmentally friendly – Design makes an important contribution to the preservation of the environment. It conserves resources and minimizes physical and visual pollution throughout the lifecycle of the product.

10. is as little design as possible – Less, but better – because it concentrates on the essential aspects, and the products are not burdened with non-essentials. Back to purity, back to simplicity.


出處:


https://www.sfmoma.org/press/release/sfmoma-presents-less-and-more-the-design-ethos-of/

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